Even for a low-activity wiki, hosting & rendering many HQ image files takes significant resources and comes with high monthly server costs.
If you're able, please consider contributing to keep the site running to help support this independent, ad-free, fan-run site. Thank you!
Difference between revisions of "Lula Chamberlain"
m |
|||
| Line 1: | Line 1: | ||
[[File:Lula.png|thumb|right|''Flipping through the pages, Conway is able to gather that it's a story about three characters: Joseph, Donald, and Lula. It's something like a tragic love triangle, but much more complex. Some kind of tangled, painfully concave love polygon.'']] | [[File:Lula.png|thumb|right|''Flipping through the pages, Conway is able to gather that it's a story about three characters: Joseph, Donald, and Lula. It's something like a tragic love triangle, but much more complex. Some kind of tangled, painfully concave love polygon.'']] | ||
| − | '''Lula''' | + | '''Lula''' is a Senior Clerk at the [[Bureau of Reclaimed Spaces]] and a friend of [[Joseph]] and [[Donald]]. |
== Life and work == | == Life and work == | ||
Revision as of 05:45, 30 June 2018
Lula is a Senior Clerk at the Bureau of Reclaimed Spaces and a friend of Joseph and Donald.
Life and work
Lula was born in Elizabethtown, Kentucky, but frequented – and loved – Mexico City. Her installation-based artwork is featured in a museum in a retrospective exhibit titled Limits & Demonstrations. She also acted as the set designer for The Entertainment. Sometime before the events of Act II, she had applied to be a fellow at the Gaston Trust for Imagined Architecture but was rejected. She used to live on a street named Dogwood Drive (different from the one Conway searches for) and owned a dog.
Lula is friends with Joseph and Donald from their college days, and the three were involved in a complicated love polygon. Lula helped to build XANADU, but grew apart from the two after living in Mexico for three years without contacting them.
Name
Her name is a reference to William Chamberlain, the author of The Policeman's Beard Is Half Constructed, the first book written by a computer, and quoted in the dialogue for the pieces exhibited in Limits & Demonstrations.
