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Act II opens with a prelude in which [[Lula Chamberlain]], an installation artist whose work is featured in ''[[Limits & Demonstrations]]'', receives a rejection letter from the [[Gaston Trust for Imagined Architecture]]. After reading the note, she sorts through a series of proposals for reclaiming spaces for purposes alternate to their current function, such as a proposal to reclaim a distillery as a graveyard. If the player met [[Carrington]] in [[Act I]], he will interrupt Lula, and ask her about his proposal for a venue for his performance. Otherwise, her coworker [[Rick]] talks to her, asking about the proposals and an upcoming office party.
Thoroughly lost on the [[Zero]]{{ZeroLink}}, [[Conway]] and [[Shannon]] stop at six-story building known as the [[Bureau of Reclaimed Spaces]]. They speak to the receptionist, [[Mary Ann]] about finding [[5 Dogwood Drive]]. Unable to assign them to any of the proper clerks for the process, she instead sets them up to the fifth floor to meet with [[Lula]]. On the way, they encounter a variety of hermit crabs, a floor full of bears, and an organist. [[File:Zero.png|thumb|right|''MARY ANN: Just get back on the {{Zero}} and drive until you hit the crystal. Then turn around. It'll make sense once you get on the road.'']]
After failing to navigate the bureaucratic mess of junior clerks that [[Rick]] presents them with, the two finally meet with Lula. She tells them that she used to live on a Dogwood Drive, but that it cannot be the same one: due to computational "name collisions," the many streets named Dogwood Drive have all been renamed, such as to Pale Dogwood Drive, Large-leafed Dogwood Drive, or Himalayan Flowering Dogwood Drive. She ponders if her former lover [[Joseph]] sent them to her to get her attention, or if her former intern [[Weaver]] overestimated her capabilities. However, believing that one may still just be named Dogwood Drive, she suggests they search the log of road name changes on the fourth floor. After the two come up empty-handed, Lula concludes the records have not yet been transferred to the new building from the former site of the Bureau, the [[Saint Thomas Church]]. She also suggests Conway seek out [[Dr. Truman]] to help with his leg, giving them his address in a small neighborhood on the east edge of Bowling Green.
[[File:Random Access Self Storage.png|thumb|left|''BRANDON: "Work is play for mortal stakes." That's the title of the evening's homily, in fact.'']]
Mary Ann tells Conway and Shannon that the church is actually inside a self-storage facility, and gives them directions on how to get to it on via the {{ZeroLinkZero}}. At the storage lot, the two talk to the janitor, [[Brandon]]. He says that he must start the night mass, but tells Shannon the records are in unit C315 and gives her his keys. Shannon leaves to look for the records while Conway rests his leg. Brandon presses play on an old tape player, and the two talk and listen to a prerecorded sermon on the virtue of hard work. Shannon returns with the file they were looking for. As they leave the building, Conway collapses from his injury, hallucinating about his accident at [[Elkhorn Mine]]. When he comes to, Shannon decides their first priority should be to find Dr. Truman.
They return to the Bureau only to find that Lula has disappeared in a hurry; however, before she left, she processed all the files needed to transfer Conway and Shannon back to the surface roads. They also encounter Carrington at the Bureau, and Conway is able to suggest either Elkhorn Mine, the [[Random Access Self Storage|self-storage facility]], or [[Equus Oils]] as the venue for where Carrington can host his performance. The two head out of the {{Zero}}, above ground, in search of Dr. Truman. [[File:Museum elevator.png|thumb|right|''FLORA: I think you need to get some real horses in the stable.<br />MUSEUM STAFF: Do you like horses?<br />FLORA: Not anymore. Now I like jungle cats. You should get some real panthers in the stable.'']]