Difference between revisions of "James B. Carrington"
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'''Carrington''' is a friend of [[Joseph]] and [[Lula]] from their college days. [[Conway]] has the chance to meet him at [[Equus Oils]] in [[Act I]]. | '''Carrington''' is a friend of [[Joseph]] and [[Lula]] from their college days. [[Conway]] has the chance to meet him at [[Equus Oils]] in [[Act I]]. | ||
| − | Throughout the story, Carrington searches for an outdoor venue to perform his play, an experimental adaptation of Robert Frost's [[wikipedia:The Death of the Hired Man|"The Death of the Hired Man"]]. He is also director of the play ''[[The Entertainment]]''. In talking with [[Shannon]] at the [[Random Access Self | + | Throughout the story, Carrington searches for an outdoor venue to perform his play, an experimental adaptation of Robert Frost's [[wikipedia:The Death of the Hired Man|"The Death of the Hired Man"]]. He is also director of the play ''[[The Entertainment]]''. In talking with [[Shannon]] at the [[Random Access Self Storage]] facility in [[Act III]], he references many others plays as well, such as ''[[wikipedia:Oresteia|Oresteia]]'', ''[[wikipedia:Goethe's Faust|Faust]]'', ''[[wikipedia:The Iceman Cometh|The Iceman Cometh]]'', and ''[[wikipedia:The Glass Menagerie|The Glass Menagerie]]''. In the beginning of [[Act II]], in talking with [[Lula]], he quotes the French dramatist [[wikipedia:Antonin Artaud|Antonin Artaud]]. He claims drama is only his second love; his true calling is pseudoscience. |
A [[wrongle]] of Carrington is viewable at http://kentuckyroutezero.com/phonebooth.wrongle. | A [[wrongle]] of Carrington is viewable at http://kentuckyroutezero.com/phonebooth.wrongle. | ||
Revision as of 11:28, 3 February 2018
Carrington is a friend of Joseph and Lula from their college days. Conway has the chance to meet him at Equus Oils in Act I.
Throughout the story, Carrington searches for an outdoor venue to perform his play, an experimental adaptation of Robert Frost's "The Death of the Hired Man". He is also director of the play The Entertainment. In talking with Shannon at the Random Access Self Storage facility in Act III, he references many others plays as well, such as Oresteia, Faust, The Iceman Cometh, and The Glass Menagerie. In the beginning of Act II, in talking with Lula, he quotes the French dramatist Antonin Artaud. He claims drama is only his second love; his true calling is pseudoscience.
A wrongle of Carrington is viewable at http://kentuckyroutezero.com/phonebooth.wrongle.
