Difference between revisions of "James B. Carrington"

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[[File:Carrington.png|thumb|right|''CARRINGTON: Maybe they ''should'' feel lost, Joseph: just as lost then as we are always already lost. Just like poor, itinerant Silas, wandering the road, looking for a home.'']]
 
[[File:Carrington.png|thumb|right|''CARRINGTON: Maybe they ''should'' feel lost, Joseph: just as lost then as we are always already lost. Just like poor, itinerant Silas, wandering the road, looking for a home.'']]
'''James Beckwourth Carrington''', often known as just '''Carrington''', is a friend of [[Joseph]] and [[Lula]] from their college days and the director of the plays ''[[The Entertainment]]'' and ''[[Death Of The Hired Man]]''. [[Conway]] has the chance to meet him at [[Equus Oils]] in [[Act I]].
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'''James Beckwourth Carrington''', usually referred to as just '''Carrington''', is a friend of [[Joseph]] and [[Lula]] from their college days. He is the director of the plays ''[[The Entertainment]]'' and {{DOTHM}}. [[Conway]] has the chance to meet him at [[Equus Oils]] in [[Act I]].
  
 
A [[wrongle]] of Carrington is viewable at http://kentuckyroutezero.com/phonebooth.wrongle.
 
A [[wrongle]] of Carrington is viewable at http://kentuckyroutezero.com/phonebooth.wrongle.
  
== Personality ==
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== Personality and life ==
  
Carrington is an enthusiastic and verbose character with an impressive knowledge of and passion for dramatic works.  
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Carrington is an enthusiastic and verbose character with an impressive knowledge of and passion for dramatic works. He claims drama is only his second love; his true calling is pseudoscience. Little is known about Carrington's personal life.
  
== Life ==
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== Appearances ==
  
Little is known about Carrington's life.
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Throughout the story, Carrington searches for an outdoor venue to perform his [[Death Of The Hired Man|play]], an experimental adaptation of "[[wikipedia:The Death of the Hired Man|The Death of the Hired Man]]" by [[wikipedia:Robert Frost|Robert Frost]]. At [[Equus Oils]] in [[Act I]], he asks [[Conway]] to find a venue for him, saying he hopes for "Somewhere outdoors. Somewhere intimate. Somewhere tragic."
  
Throughout the story, Carrington searches for an outdoor venue to perform his play, an experimental adaptation of "[[wikipedia:The Death of the Hired Man|The Death of the Hired Man]]" by [[wikipedia:Robert Frost|Robert Frost]], and asks Conway to find a venue for him: "Somewhere outdoors. Somewhere intimate. Somewhere tragic."
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In the beginning of [[Act II]], Carrington talks with [[Lula]] at the [[Bureau of Reclaimed Spaces|Bureau]] and quotes the French dramatist [[wikipedia:Antonin Artaud|Antonin Artaud]]. He appears later at the [[Random Access Self Storage|self-storage facility]], asking Conway for ideas as to a venue.
  
In the beginning of [[Act II]], Carrington talks with [[Lula]] at the [[Bureau of Reclaimed Spaces|Bureau]] and quotes the French dramatist [[wikipedia:Antonin Artaud|Antonin Artaud]]. He appears later at the [[Random Access Self Storage|self storage facility]], asking Conway for ideas as to a venue.
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In [[Act III]], he will meet the group at the location suggested for the play in the previous act – either at Equus Oils, [[Elkhorn Mine]], or the storage facility. In talking with [[Shannon]], he references plays, such as ''[[wikipedia:Oresteia|Oresteia]]'', ''[[wikipedia:Goethe's Faust|Faust]]'', ''[[wikipedia:The Iceman Cometh|The Iceman Cometh]]'', and ''[[wikipedia:The Glass Menagerie|The Glass Menagerie]]''.
  
In Act III, he will meet the group at the location suggested for the play in the previous act – either at Equus Oils, [[Elkhorn Mine]], the storage facility. In talking with [[Shannon]], he references plays, such as ''[[wikipedia:Oresteia|Oresteia]]'', ''[[wikipedia:Goethe's Faust|Faust]]'', ''[[wikipedia:The Iceman Cometh|The Iceman Cometh]]'', and ''[[wikipedia:The Glass Menagerie|The Glass Menagerie]]''.
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He appears and is the focus of the post-Act V [[Death Of The Hired Man|epilogue]], which takes the same title as his play.
  
He claims drama is only his second love; his true calling is pseudoscience.
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== Inspiration ==
  
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The character of Carrington was inspired by two historical figures: [[wikipedia:James Beckwourth|James Pierson Beckwourth]], an African American mountain man from the mid-19th century, and [[wikipedia:Whately Carington|Whately Carington]], an English parapsychologist.
  
 
[[Category:Characters]]
 
[[Category:Characters]]
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[[Category:Act IV]]
 
[[Category:Act IV]]
 
[[Category:The Entertainment]]
 
[[Category:The Entertainment]]
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[[Category:Death Of The Hired Man]]

Latest revision as of 02:17, 19 July 2023

CARRINGTON: Maybe they should feel lost, Joseph: just as lost then as we are always already lost. Just like poor, itinerant Silas, wandering the road, looking for a home.

James Beckwourth Carrington, usually referred to as just Carrington, is a friend of Joseph and Lula from their college days. He is the director of the plays The Entertainment and Death Of The Hired Man. Conway has the chance to meet him at Equus Oils in Act I.

A wrongle of Carrington is viewable at http://kentuckyroutezero.com/phonebooth.wrongle.

Personality and life[edit]

Carrington is an enthusiastic and verbose character with an impressive knowledge of and passion for dramatic works. He claims drama is only his second love; his true calling is pseudoscience. Little is known about Carrington's personal life.

Appearances[edit]

Throughout the story, Carrington searches for an outdoor venue to perform his play, an experimental adaptation of "The Death of the Hired Man" by Robert Frost. At Equus Oils in Act I, he asks Conway to find a venue for him, saying he hopes for "Somewhere outdoors. Somewhere intimate. Somewhere tragic."

In the beginning of Act II, Carrington talks with Lula at the Bureau and quotes the French dramatist Antonin Artaud. He appears later at the self-storage facility, asking Conway for ideas as to a venue.

In Act III, he will meet the group at the location suggested for the play in the previous act – either at Equus Oils, Elkhorn Mine, or the storage facility. In talking with Shannon, he references plays, such as Oresteia, Faust, The Iceman Cometh, and The Glass Menagerie.

He appears and is the focus of the post-Act V epilogue, which takes the same title as his play.

Inspiration[edit]

The character of Carrington was inspired by two historical figures: James Pierson Beckwourth, an African American mountain man from the mid-19th century, and Whately Carington, an English parapsychologist.