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	<id>https://consolidatedpower.co/~donald/zero/index.php?action=history&amp;feed=atom&amp;title=Act_III</id>
	<title>Act III - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://consolidatedpower.co/~donald/zero/index.php?action=history&amp;feed=atom&amp;title=Act_III"/>
	<link rel="alternate" type="text/html" href="https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;action=history"/>
	<updated>2026-04-18T21:35:36Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.34.0</generator>
	<entry>
		<id>https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=3636&amp;oldid=prev</id>
		<title>2601:681:8681:6F90:81AA:9B23:A86B:BE23 at 03:46, 3 July 2021</title>
		<link rel="alternate" type="text/html" href="https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=3636&amp;oldid=prev"/>
		<updated>2021-07-03T03:46:03Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 03:46, 3 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l36&quot; &gt;Line 36:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 36:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Hard Times Distillery.png|thumb|right|''DOOLITTLE: The Echo River is fed from Lake Lethe, but you wouldn't recognize a drop of it. Lethe is cold, dark, and so very deep. And still!'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Hard Times Distillery.png|thumb|right|''DOOLITTLE: The Echo River is fed from Lake Lethe, but you wouldn't recognize a drop of it. Lethe is cold, dark, and so very deep. And still!'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While waiting for the ferry, Conway reveals what happened while he was talking with the strangers: he and Shannon had gone via a hidden elevator to an underground [[Hard Times Distillery|whiskey distillery]] staffed by indistinct glowing skeletons, identical in appearance to Conway's new leg. At the distillery, Conway and Shannon meet [[Lem Doolittle|Doolittle]] who mistakes Conway for a new hire as a shipping truck driver. Doolittle gives them a tour, &amp;quot;speaking&amp;quot; only via a tape recorder around his neck. He &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;hells &lt;/del&gt;them about The Formula, a revolutionary equation introduced to them by a [[Weaver Márquez|brilliant mathematician]] that allows them to simply plug daily numbers in and run it through an adding machine instead of compounding interest by hand. Doolittle introduces Conway and Shannon to many of the distillery workers, all of whom who fell into debt and were forced to work to pay it off. He tells Conway he hopes he is a better driver than [[Miguel]], who got into an [[Act I|accident]] earlier that evening involving bourbon and glass strewn across the interstate. Inspecting the truck he is expected to drive, Conway recalls stories of his past with [[Lysette]] and his former boss [[Ira]] in small vignettes. In one story, he recounts the accident that killed Lysette's son [[Charlie]]: too hungover to perform a roofing job, Charlie took Conway's place and, in performing the work in the hot sun, slipped and fell to his death.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While waiting for the ferry, Conway reveals what happened while he was talking with the strangers: he and Shannon had gone via a hidden elevator to an underground [[Hard Times Distillery|whiskey distillery]] staffed by indistinct glowing skeletons, identical in appearance to Conway's new leg. At the distillery, Conway and Shannon meet [[Lem Doolittle|Doolittle]] who mistakes Conway for a new hire as a shipping truck driver. Doolittle gives them a tour, &amp;quot;speaking&amp;quot; only via a tape recorder around his neck. He &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;tells &lt;/ins&gt;them about The Formula, a revolutionary equation introduced to them by a [[Weaver Márquez|brilliant mathematician]] that allows them to simply plug daily numbers in and run it through an adding machine instead of compounding interest by hand. Doolittle introduces Conway and Shannon to many of the distillery workers, all of whom who fell into debt and were forced to work to pay it off. He tells Conway he hopes he is a better driver than [[Miguel]], who got into an [[Act I|accident]] earlier that evening involving bourbon and glass strewn across the interstate. Inspecting the truck he is expected to drive, Conway recalls stories of his past with [[Lysette]] and his former boss [[Ira]] in small vignettes. In one story, he recounts the accident that killed Lysette's son [[Charlie]]: too hungover to perform a roofing job, Charlie took Conway's place and, in performing the work in the hot sun, slipped and fell to his death.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Adding machine.png|thumb|left|''He removed his hands from the steering wheel for a moment and felt the car drift into a decision. Years later, he'd think of this as the moment he himself started drifting.'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Adding machine.png|thumb|left|''He removed his hands from the steering wheel for a moment and felt the car drift into a decision. Years later, he'd think of this as the moment he himself started drifting.'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>2601:681:8681:6F90:81AA:9B23:A86B:BE23</name></author>
		
	</entry>
	<entry>
		<id>https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=3285&amp;oldid=prev</id>
		<title>Eli: /* In the overworld */</title>
		<link rel="alternate" type="text/html" href="https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=3285&amp;oldid=prev"/>
		<updated>2020-02-01T14:34:43Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;In the overworld&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:34, 1 February 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l79&quot; &gt;Line 79:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 79:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;** Keith's Home&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;** Keith's Home&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Drive-in Theater]] (Finney Road)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Drive-in Theater]] (Finney Road)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Bait shop]] and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Shannon's workshop&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Bait shop]] and Shannon's workshop&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Convenience Store&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Convenience Store&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Petting Zoo (Interstate 65)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Petting Zoo (Interstate 65)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Eli</name></author>
		
	</entry>
	<entry>
		<id>https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=3147&amp;oldid=prev</id>
		<title>Eli: /* On the {{Zero}} */</title>
		<link rel="alternate" type="text/html" href="https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=3147&amp;oldid=prev"/>
		<updated>2020-01-30T05:11:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;On the {{Zero}}&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 05:11, 30 January 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l91&quot; &gt;Line 91:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 91:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Consolidated Power Office]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Consolidated Power Office]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rust Archives]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rust Archives]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Phil Morton's van&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Van&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sinkhole&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sinkhole&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Children (x3)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Children (x3)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Eli</name></author>
		
	</entry>
	<entry>
		<id>https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=2975&amp;oldid=prev</id>
		<title>Eli at 03:12, 28 January 2020</title>
		<link rel="alternate" type="text/html" href="https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=2975&amp;oldid=prev"/>
		<updated>2020-01-28T03:12:39Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 03:12, 28 January 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Acts}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:KrzAct3.jpg|right|x225px]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:KrzAct3.jpg|right|x225px]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Act III''' of {{KRZ}} was released on May 6, 2014. It introduces [[Junebug and Johnny]] to the main cast of characters.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Act III''' of {{KRZ}} was released on May 6, 2014. It introduces [[Junebug and Johnny]] to the main cast of characters.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key krzwiki:diff::1.12:old-2608:rev-2975 --&gt;
&lt;/table&gt;</summary>
		<author><name>Eli</name></author>
		
	</entry>
	<entry>
		<id>https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=2608&amp;oldid=prev</id>
		<title>Eli at 12:24, 13 January 2020</title>
		<link rel="alternate" type="text/html" href="https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=2608&amp;oldid=prev"/>
		<updated>2020-01-13T12:24:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 12:24, 13 January 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l32&quot; &gt;Line 32:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 32:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Conway and the group continue playing the simulation, choosing to sleep, hire research assistants, or assign assistants to tasks such as debugging, transcription, or speculation. Seemingly unable to exit, they decide to try typing &amp;quot;Wait indefinitely.&amp;quot; XANADU outputs that one research assistant, Weaver, follows the strangers into the tunnels, and neither return. Years pass and mold grows, until one night, ''different'' strangers arrive, and an old friend, Lula, returns. The program exits. Lula is standing in the cave.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Conway and the group continue playing the simulation, choosing to sleep, hire research assistants, or assign assistants to tasks such as debugging, transcription, or speculation. Seemingly unable to exit, they decide to try typing &amp;quot;Wait indefinitely.&amp;quot; XANADU outputs that one research assistant, Weaver, follows the strangers into the tunnels, and neither return. Years pass and mold grows, until one night, ''different'' strangers arrive, and an old friend, Lula, returns. The program exits. Lula is standing in the cave.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lula gives Donald the information needed to find [[Dogwood Drive]] and asks him to perform the calculations needed to resolve the previously-mentioned street name collisions. Donald states he should have the results in an hour, and will forward the information to the Bureau. Lula and the group return to the Bureau to wait. As they descend from the Hall of the Mountain King, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Emily, Ben, and Bob&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;can be seen playing &amp;quot;[[What Would You Give]]&amp;quot; in the foreground. Back at the Bureau, Lula states that after sorting through the results and cross-checking references with their records, they were able to find a corresponding [[Silo of Late Reflections|mail stop]] along the [[Echo River]] route, and notes the night ferry is scheduled to stop by shortly, taking them where they want to go. Lula wishes them safe travels, and muses she's feeling impulsive, and may return to Mexico.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lula gives Donald the information needed to find [[Dogwood Drive]] and asks him to perform the calculations needed to resolve the previously-mentioned street name collisions. Donald states he should have the results in an hour, and will forward the information to the Bureau. Lula and the group return to the Bureau to wait. As they descend from the Hall of the Mountain King, Emily, Ben, and Bob can be seen playing &amp;quot;[[What Would You Give]]&amp;quot; in the foreground. Back at the Bureau, Lula states that after sorting through the results and cross-checking references with their records, they were able to find a corresponding [[Silo of Late Reflections|mail stop]] along the [[Echo River]] route, and notes the night ferry is scheduled to stop by shortly, taking them where they want to go. Lula wishes them safe travels, and muses she's feeling impulsive, and may return to Mexico.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Hard Times Distillery.png|thumb|right|''DOOLITTLE: The Echo River is fed from Lake Lethe, but you wouldn't recognize a drop of it. Lethe is cold, dark, and so very deep. And still!'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Hard Times Distillery.png|thumb|right|''DOOLITTLE: The Echo River is fed from Lake Lethe, but you wouldn't recognize a drop of it. Lethe is cold, dark, and so very deep. And still!'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key krzwiki:diff::1.12:old-1948:rev-2608 --&gt;
&lt;/table&gt;</summary>
		<author><name>Eli</name></author>
		
	</entry>
	<entry>
		<id>https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=1948&amp;oldid=prev</id>
		<title>Eli: /* Synopsis */</title>
		<link rel="alternate" type="text/html" href="https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=1948&amp;oldid=prev"/>
		<updated>2018-12-10T10:47:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Synopsis&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 10:47, 10 December 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot; &gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:The Lower Depths.png|thumb|left|''JOHNNY: Test. Test. One. One. One. Three. Fifty. Lamentation. La — men — ta — tion.'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:The Lower Depths.png|thumb|left|''JOHNNY: Test. Test. One. One. One. Three. Fifty. Lamentation. La — men — ta — tion.'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Junebug and Johnny]] speed by the tree on their motorcycle. After some discussion, they decide to stop and help in hopes of gaining an audience at their performance to which they are running late. The two fix the truck's engine, and Conway, Shannon, and Ezra agree to accompany the musicians to a tavern, [[The Lower Depths]] tavern to watch their performance. At the bar, Junebug and Johnny sing the song &amp;quot;[[Too Late to Love You]],&amp;quot; as the roof of the bar seemingly disappears to reveal the full moon overhead. After their performance, the bartender, [[Harry Esperanza]], admits he cannot pay them, left with nothing but an I.O.U. from the [[Hard Times Distillery]] who traded his customers' debt for whiskey and the events in ''[[The Entertainment]]''. Harry suggests they head to the distillery to claim their payment, but notes that they must take the {{ZeroLink}} to get there. After hearing Conway is searching for [[Dogwood Drive]] as well, Harry confirms that heading to the {{Zero}} is their best course of action. Junebug and Johnny decide to accompany the trio, and Harry gives them directions: tune the radio until they hear something &amp;quot;familiar but ''strange'',&amp;quot; and immediately turn around when it cuts out. Together, the group sets out in search of the {{Zero}}. Tuning their radio to a station that sounds like horses running, they drive until they see a team of horses standing in the middle of the darkened highway, and immediately appear on the {{Zero}}. [[File:Too Late to Love You.png|thumb|right|''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;HARRY: Well&lt;/del&gt;, that&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'s just the ... dammit, &lt;/del&gt;I &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;was trying to tell you two&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;I can&lt;/del&gt;'&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;t pay! They cleaned me out. I've got nothing left but a G.D. I.O.U. from the distillery&lt;/del&gt;.'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Junebug and Johnny]] speed by the tree on their motorcycle. After some discussion, they decide to stop and help in hopes of gaining an audience at their performance to which they are running late. The two fix the truck's engine, and Conway, Shannon, and Ezra agree to accompany the musicians to a tavern, [[The Lower Depths]] tavern to watch their performance. At the bar, Junebug and Johnny sing the song &amp;quot;[[Too Late to Love You]],&amp;quot; as the roof of the bar seemingly disappears to reveal the full moon overhead. After their performance, the bartender, [[Harry Esperanza]], admits he cannot pay them, left with nothing but an I.O.U. from the [[Hard Times Distillery]] who traded his customers' debt for whiskey and the events in ''[[The Entertainment]]''. Harry suggests they head to the distillery to claim their payment, but notes that they must take the {{ZeroLink}} to get there. After hearing Conway is searching for [[Dogwood Drive]] as well, Harry confirms that heading to the {{Zero}} is their best course of action. Junebug and Johnny decide to accompany the trio, and Harry gives them directions: tune the radio until they hear something &amp;quot;familiar but ''strange'',&amp;quot; and immediately turn around when it cuts out. Together, the group sets out in search of the {{Zero}}. Tuning their radio to a station that sounds like horses running, they drive until they see a team of horses standing in the middle of the darkened highway, and immediately appear on the {{Zero}}. [[File:Too Late to Love You.png|thumb|right|''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Another love came by&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and stole my heart away. I wish &lt;/ins&gt;that I &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;could take it back&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;but it&lt;/ins&gt;'&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;s too late&lt;/ins&gt;.'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Driving on the {{Zero}}, the group comes across a large chamber dominated by a rock spire, known as the [[Hall of the Mountain King]]. Johnny waits outside with Conway's dog while the others ascent the summit. Climbing up the path, Conway, Shannon, Ezra, and Junebug find various types of vintage computers in large piles, many in states of disrepair, surrounding a tall, burning fire of discarded electronics. They come across a old man named [[Donald]] who appears fixated on a grand project – his life's work – named [[XANADU]], involving an old computer growing black mold inside, along with a piece of software and artificial intelligence designed as a simulation of his life's missed opportunities from long ago. He invites the group to take a look. Walking around the cavern, the group meets [[Amy]], [[Roberta]], [[Andrew]], Donald's former research assistants who helped work on the project, now in ruins. The group turns on [[XANADU]], but the text is garbled, unable to be read, and the audio distorted. Shannon attempts to use a portable degausser on the system, and they are able to make out the name &amp;quot;Lula&amp;quot; before the program crashes.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Driving on the {{Zero}}, the group comes across a large chamber dominated by a rock spire, known as the [[Hall of the Mountain King]]. Johnny waits outside with Conway's dog while the others ascent the summit. Climbing up the path, Conway, Shannon, Ezra, and Junebug find various types of vintage computers in large piles, many in states of disrepair, surrounding a tall, burning fire of discarded electronics. They come across a old man named [[Donald]] who appears fixated on a grand project – his life's work – named [[XANADU]], involving an old computer growing black mold inside, along with a piece of software and artificial intelligence designed as a simulation of his life's missed opportunities from long ago. He invites the group to take a look. Walking around the cavern, the group meets [[Amy]], [[Roberta]], [[Andrew]], Donald's former research assistants who helped work on the project, now in ruins. The group turns on [[XANADU]], but the text is garbled, unable to be read, and the audio distorted. Shannon attempts to use a portable degausser on the system, and they are able to make out the name &amp;quot;Lula&amp;quot; before the program crashes.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key krzwiki:diff::1.12:old-1945:rev-1948 --&gt;
&lt;/table&gt;</summary>
		<author><name>Eli</name></author>
		
	</entry>
	<entry>
		<id>https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=1945&amp;oldid=prev</id>
		<title>Eli: add poster to page</title>
		<link rel="alternate" type="text/html" href="https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=1945&amp;oldid=prev"/>
		<updated>2018-12-10T10:24:42Z</updated>

		<summary type="html">&lt;p&gt;add poster to page&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 10:24, 10 December 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:KrzAct3.jpg|right|x225px]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Act III''' of {{KRZ}} was released on May 6, 2014. It introduces [[Junebug and Johnny]] to the main cast of characters.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Act III''' of {{KRZ}} was released on May 6, 2014. It introduces [[Junebug and Johnny]] to the main cast of characters.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l39&quot; &gt;Line 39:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 40:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On the way back up to logistics, Doolittle tells Shannon and Conway that the black mold from the Hall of the Mountain King is drawn to ethanol fumes which seep through the air into the cavern; not wanting even a drop of whiskey to go to waste, the workers come to scrape it off the machinery. Arriving upstairs, he shows them the adding machine which calculates each day's interest and tells Conway he is hired, offering him a &amp;quot;shift drink&amp;quot; to mark the occasion. Shannon protests, but Conway, in a daze, cannot resist, and takes a sip of the alcohol (with the game's cursor slowly, automatically moving toward the &amp;quot;Drink&amp;quot; option, outside the player's control). Shannon firmly states that they have a delivery to make and that Conway will not be working for them, but Doolittle notes that the alcohol he just drank was very expensive, not to mention the time he spent giving them the tour. Doolittle says that Conway will start the next day, as the scene blurs and fades to black.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On the way back up to logistics, Doolittle tells Shannon and Conway that the black mold from the Hall of the Mountain King is drawn to ethanol fumes which seep through the air into the cavern; not wanting even a drop of whiskey to go to waste, the workers come to scrape it off the machinery. Arriving upstairs, he shows them the adding machine which calculates each day's interest and tells Conway he is hired, offering him a &amp;quot;shift drink&amp;quot; to mark the occasion. Shannon protests, but Conway, in a daze, cannot resist, and takes a sip of the alcohol (with the game's cursor slowly, automatically moving toward the &amp;quot;Drink&amp;quot; option, outside the player's control). Shannon firmly states that they have a delivery to make and that Conway will not be working for them, but Doolittle notes that the alcohol he just drank was very expensive, not to mention the time he spent giving them the tour. Doolittle says that Conway will start the next day, as the scene blurs and fades to black.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Mammoth.png|thumb|right|''EZRA: I'm confused. &amp;lt;br /&amp;gt;CONWAY: It's just the way these things go, kid.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;!-- &amp;lt;br /&amp;gt;JUNEBUG: Huh. Well, that still gives us a few hours to roam, right? Where's that ferry?--&amp;gt;&lt;/del&gt;'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Mammoth.png|thumb|right|''EZRA: I'm confused. &amp;lt;br /&amp;gt;CONWAY: It's just the way these things go, kid.'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Back in the Bureau, the group stands silhouetted in front of Conway's truck, mulling over what's to come next. A tugboat arrives. As it pulls into view, a horn blares, revealing a gigantic, trumpeting wooly mammoth.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Back in the Bureau, the group stands silhouetted in front of Conway's truck, mulling over what's to come next. A tugboat arrives. As it pulls into view, a horn blares, revealing a gigantic, trumpeting wooly mammoth.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key krzwiki:diff::1.12:old-1934:rev-1945 --&gt;
&lt;/table&gt;</summary>
		<author><name>Eli</name></author>
		
	</entry>
	<entry>
		<id>https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=1934&amp;oldid=prev</id>
		<title>Eli: /* Synopsis */</title>
		<link rel="alternate" type="text/html" href="https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=1934&amp;oldid=prev"/>
		<updated>2018-12-09T08:45:35Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Synopsis&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 08:45, 9 December 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot; &gt;Line 34:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Hard Times Distillery.png|thumb|right|''DOOLITTLE: The Echo River is fed from Lake Lethe, but you wouldn't recognize a drop of it. Lethe is cold, dark, and so very deep. And still!'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Hard Times Distillery.png|thumb|right|''DOOLITTLE: The Echo River is fed from Lake Lethe, but you wouldn't recognize a drop of it. Lethe is cold, dark, and so very deep. And still!'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While waiting for the ferry, Conway reveals what happened while he was talking with the strangers: he and Shannon had gone via a hidden elevator to an underground [[Hard Times Distillery|whiskey distillery]] staffed by indistinct glowing skeletons, identical in appearance to Conway's new leg. At the distillery, Conway and Shannon meet [[Lem Doolittle|Doolittle]] who mistakes Conway for a new hire as a shipping truck driver. Doolittle gives them a tour, speaking only via a tape recorder around his neck. He hells them about The Formula, a revolutionary equation introduced to them by a [[Weaver Márquez|brilliant mathematician]] that allows them to simply plug daily numbers in and run it through an adding machine instead of compounding interest by hand. Doolittle introduces Conway and Shannon to many of the distillery workers, all of whom who fell into debt and were forced to work to pay it off. He tells Conway he hopes he is a better &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;drive &lt;/del&gt;than [[Miguel]] &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a truck driver &lt;/del&gt;who got into an [[Act I|accident]] that evening involving bourbon and glass strewn across the interstate. Inspecting the truck he is expected to drive, Conway recalls stories of his past with [[Lysette]] and his former boss [[Ira]] in small vignettes. In one story, he recounts the accident that killed Lysette's son [[Charlie]]: too hungover to perform a roofing job, Charlie took Conway's place and, in performing the work in the hot sun, slipped and fell to his death.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While waiting for the ferry, Conway reveals what happened while he was talking with the strangers: he and Shannon had gone via a hidden elevator to an underground [[Hard Times Distillery|whiskey distillery]] staffed by indistinct glowing skeletons, identical in appearance to Conway's new leg. At the distillery, Conway and Shannon meet [[Lem Doolittle|Doolittle]] who mistakes Conway for a new hire as a shipping truck driver. Doolittle gives them a tour, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&lt;/ins&gt;speaking&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot; &lt;/ins&gt;only via a tape recorder around his neck. He hells them about The Formula, a revolutionary equation introduced to them by a [[Weaver Márquez|brilliant mathematician]] that allows them to simply plug daily numbers in and run it through an adding machine instead of compounding interest by hand. Doolittle introduces Conway and Shannon to many of the distillery workers, all of whom who fell into debt and were forced to work to pay it off. He tells Conway he hopes he is a better &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;driver &lt;/ins&gt;than [[Miguel]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;who got into an [[Act I|accident]] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;earlier &lt;/ins&gt;that evening involving bourbon and glass strewn across the interstate. Inspecting the truck he is expected to drive, Conway recalls stories of his past with [[Lysette]] and his former boss [[Ira]] in small vignettes. In one story, he recounts the accident that killed Lysette's son [[Charlie]]: too hungover to perform a roofing job, Charlie took Conway's place and, in performing the work in the hot sun, slipped and fell to his death.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Adding machine.png|thumb|left|''He removed his hands from the steering wheel for a moment and felt the car drift into a decision. Years later, he'd think of this as the moment he himself started drifting.'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Adding machine.png|thumb|left|''He removed his hands from the steering wheel for a moment and felt the car drift into a decision. Years later, he'd think of this as the moment he himself started drifting.'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On the way back up to logistics, Doolittle tells Shannon and Conway that the black mold from the Hall of the Mountain King is drawn to ethanol fumes which seep through the air into the cavern; not wanting even a drop of whiskey to go to waste, the workers come to scrape it off the machinery. Arriving upstairs, he shows them the adding machine which calculates each day's interest&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;and tells Conway he is hired, offering him a &amp;quot;shift drink&amp;quot; to mark the occasion. Shannon protests, but Conway, in a daze, cannot resist, and takes a sip of the alcohol (with the game's cursor slowly, automatically moving toward the &amp;quot;Drink&amp;quot; option, outside the player's control). Shannon firmly states that they have a delivery to make and that Conway will not be working for them, but Doolittle notes that the alcohol he just drank was very expensive, not to mention the time he spent giving them the tour. Doolittle says that Conway will start the next day, as the scene blurs and fades to black.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On the way back up to logistics, Doolittle tells Shannon and Conway that the black mold from the Hall of the Mountain King is drawn to ethanol fumes which seep through the air into the cavern; not wanting even a drop of whiskey to go to waste, the workers come to scrape it off the machinery. Arriving upstairs, he shows them the adding machine which calculates each day's interest and tells Conway he is hired, offering him a &amp;quot;shift drink&amp;quot; to mark the occasion. Shannon protests, but Conway, in a daze, cannot resist, and takes a sip of the alcohol (with the game's cursor slowly, automatically moving toward the &amp;quot;Drink&amp;quot; option, outside the player's control). Shannon firmly states that they have a delivery to make and that Conway will not be working for them, but Doolittle notes that the alcohol he just drank was very expensive, not to mention the time he spent giving them the tour. Doolittle says that Conway will start the next day, as the scene blurs and fades to black.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Mammoth.png|thumb|right|''EZRA: I'm confused. &amp;lt;br /&amp;gt;CONWAY: It's just the way these things go, kid.&amp;lt;!-- &amp;lt;br /&amp;gt;JUNEBUG: Huh. Well, that still gives us a few hours to roam, right? Where's that ferry?--&amp;gt;'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Mammoth.png|thumb|right|''EZRA: I'm confused. &amp;lt;br /&amp;gt;CONWAY: It's just the way these things go, kid.&amp;lt;!-- &amp;lt;br /&amp;gt;JUNEBUG: Huh. Well, that still gives us a few hours to roam, right? Where's that ferry?--&amp;gt;'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key krzwiki:diff::1.12:old-1465:rev-1934 --&gt;
&lt;/table&gt;</summary>
		<author><name>Eli</name></author>
		
	</entry>
	<entry>
		<id>https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=1465&amp;oldid=prev</id>
		<title>Eli at 12:59, 28 June 2018</title>
		<link rel="alternate" type="text/html" href="https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=1465&amp;oldid=prev"/>
		<updated>2018-06-28T12:59:20Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 12:59, 28 June 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Synopsis ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Synopsis ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;onlyinclude&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Conway's leg.png|thumb|left|''LYSETTE: It wasn't anyone's fault, Conway. That's what we mean when we say it's ... &amp;lt;br /&amp;gt;CONWAY: An accident. ''/'' A tragedy. ''/'' A shame.'''']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Conway's leg.png|thumb|left|''LYSETTE: It wasn't anyone's fault, Conway. That's what we mean when we say it's ... &amp;lt;br /&amp;gt;CONWAY: An accident. ''/'' A tragedy. ''/'' A shame.'''']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The previous morning, [[Conway]] sits at breakfast with [[Lysette]]. The two reminiscence about [[Ira]], Lysette's deceased husband and Conway's former boss, and her son [[Charlie]] who died in a tragic roofing accident. Lysette tells Conway of a mail-order delivery, the &amp;quot;last act&amp;quot; of [[Lysette's Antiques]] before she leaves that day to move in with her sister [[Cora]] due to her old age and poor health. As the ''Neurypnol TM'' wears off, the dream slowly vanishes and Conway awakens in [[Dr. Truman]]'s house.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The previous morning, [[Conway]] sits at breakfast with [[Lysette]]. The two reminiscence about [[Ira]], Lysette's deceased husband and Conway's former boss, and her son [[Charlie]] who died in a tragic roofing accident. Lysette tells Conway of a mail-order delivery, the &amp;quot;last act&amp;quot; of [[Lysette's Antiques]] before she leaves that day to move in with her sister [[Cora]] due to her old age and poor health. As the ''Neurypnol TM'' wears off, the dream slowly vanishes and Conway awakens in [[Dr. Truman]]'s house.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot; &gt;Line 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 15:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:The Lower Depths.png|thumb|left|''JOHNNY: Test. Test. One. One. One. Three. Fifty. Lamentation. La — men — ta — tion.'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:The Lower Depths.png|thumb|left|''JOHNNY: Test. Test. One. One. One. Three. Fifty. Lamentation. La — men — ta — tion.'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Junebug and Johnny]] speed by the tree on their motorcycle. After some discussion, they decide to stop and help in hopes of gaining an audience at their performance to which they are running late. The two fix the truck's engine, and Conway, Shannon, and Ezra agree to accompany the musicians to a tavern, [[The Lower Depths]] tavern to watch their performance. At the bar, Junebug and Johnny sing the song &amp;quot;[[Too Late to Love You]],&amp;quot; as the roof of the bar seemingly disappears to reveal the full moon overhead. After their performance, the bartender, [[Harry Esperanza]], admits he cannot pay them, left with nothing but an I.O.U. from the [[Hard Times Distillery]] who traded his customers' debt for whiskey and the events in ''[[The Entertainment]]''. Harry suggests they head to the distillery to claim their payment, but notes that they must take the {{ZeroLink}} to get there. After hearing Conway is searching for [[Dogwood Drive]] as well, Harry confirms that heading to the {{Zero}} is their best course of action. Junebug and Johnny decide to accompany the trio, and Harry gives them directions: tune the radio until they hear something &amp;quot;familiar but ''strange'',&amp;quot; and immediately turn around when it cuts out. Together, the group sets out in search of the {{Zero}}. Tuning their radio to a station that sounds like horses running, they drive until they see a team of horses standing in the middle of the darkened highway, and immediately appear on the {{Zero}}.[[File:Too Late to Love You.png|thumb|right|''HARRY: Well, that's just the ... dammit, I was trying to tell you two, I can't pay! They cleaned me out. I've got nothing left but a G.D. I.O.U. from the distillery.'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Junebug and Johnny]] speed by the tree on their motorcycle. After some discussion, they decide to stop and help in hopes of gaining an audience at their performance to which they are running late. The two fix the truck's engine, and Conway, Shannon, and Ezra agree to accompany the musicians to a tavern, [[The Lower Depths]] tavern to watch their performance. At the bar, Junebug and Johnny sing the song &amp;quot;[[Too Late to Love You]],&amp;quot; as the roof of the bar seemingly disappears to reveal the full moon overhead. After their performance, the bartender, [[Harry Esperanza]], admits he cannot pay them, left with nothing but an I.O.U. from the [[Hard Times Distillery]] who traded his customers' debt for whiskey and the events in ''[[The Entertainment]]''. Harry suggests they head to the distillery to claim their payment, but notes that they must take the {{ZeroLink}} to get there. After hearing Conway is searching for [[Dogwood Drive]] as well, Harry confirms that heading to the {{Zero}} is their best course of action. Junebug and Johnny decide to accompany the trio, and Harry gives them directions: tune the radio until they hear something &amp;quot;familiar but ''strange'',&amp;quot; and immediately turn around when it cuts out. Together, the group sets out in search of the {{Zero}}. Tuning their radio to a station that sounds like horses running, they drive until they see a team of horses standing in the middle of the darkened highway, and immediately appear on the {{Zero}}. [[File:Too Late to Love You.png|thumb|right|''HARRY: Well, that's just the ... dammit, I was trying to tell you two, I can't pay! They cleaned me out. I've got nothing left but a G.D. I.O.U. from the distillery.'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Driving on the {{Zero}}, the group comes across a large chamber dominated by a rock spire, known as the [[Hall of the Mountain King]]. Johnny waits outside with Conway's dog while the others ascent the summit. Climbing up the path, Conway, Shannon, Ezra, and Junebug find various types of vintage computers in large piles, many in states of disrepair, surrounding a tall, burning fire of discarded electronics. They come across a old man named [[Donald]] who appears fixated on a grand project – his life's work – named [[XANADU]], involving an old computer growing black mold inside, along with a piece of software and artificial intelligence designed as a simulation of his life's missed opportunities from long ago. He invites the group to take a look. Walking around the cavern, the group meets [[Amy]], [[Roberta]], [[Andrew]], Donald's former research assistants who helped work on the project, now in ruins. The group turns on [[XANADU]], but the text is garbled, unable to be read, and the audio distorted. Shannon attempts to use a portable degausser on the system, and they are able to make out the name &amp;quot;Lula&amp;quot; before the program crashes.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Driving on the {{Zero}}, the group comes across a large chamber dominated by a rock spire, known as the [[Hall of the Mountain King]]. Johnny waits outside with Conway's dog while the others ascent the summit. Climbing up the path, Conway, Shannon, Ezra, and Junebug find various types of vintage computers in large piles, many in states of disrepair, surrounding a tall, burning fire of discarded electronics. They come across a old man named [[Donald]] who appears fixated on a grand project – his life's work – named [[XANADU]], involving an old computer growing black mold inside, along with a piece of software and artificial intelligence designed as a simulation of his life's missed opportunities from long ago. He invites the group to take a look. Walking around the cavern, the group meets [[Amy]], [[Roberta]], [[Andrew]], Donald's former research assistants who helped work on the project, now in ruins. The group turns on [[XANADU]], but the text is garbled, unable to be read, and the audio distorted. Shannon attempts to use a portable degausser on the system, and they are able to make out the name &amp;quot;Lula&amp;quot; before the program crashes.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l33&quot; &gt;Line 33:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 33:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lula gives Donald the information needed to find [[Dogwood Drive]] and asks him to perform the calculations needed to resolve the previously-mentioned street name collisions. Donald states he should have the results in an hour, and will forward the information to the Bureau. Lula and the group return to the Bureau to wait. As they descend from the Hall of the Mountain King, [[Emily, Ben, and Bob]] can be seen playing &amp;quot;[[What Would You Give]]&amp;quot; in the foreground. Back at the Bureau, Lula states that after sorting through the results and cross-checking references with their records, they were able to find a corresponding [[Silo of Late Reflections|mail stop]] along the [[Echo River]] route, and notes the night ferry is scheduled to stop by shortly, taking them where they want to go. Lula wishes them safe travels, and muses she's feeling impulsive, and may return to Mexico.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lula gives Donald the information needed to find [[Dogwood Drive]] and asks him to perform the calculations needed to resolve the previously-mentioned street name collisions. Donald states he should have the results in an hour, and will forward the information to the Bureau. Lula and the group return to the Bureau to wait. As they descend from the Hall of the Mountain King, [[Emily, Ben, and Bob]] can be seen playing &amp;quot;[[What Would You Give]]&amp;quot; in the foreground. Back at the Bureau, Lula states that after sorting through the results and cross-checking references with their records, they were able to find a corresponding [[Silo of Late Reflections|mail stop]] along the [[Echo River]] route, and notes the night ferry is scheduled to stop by shortly, taking them where they want to go. Lula wishes them safe travels, and muses she's feeling impulsive, and may return to Mexico.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Hard Times Distillery.png|thumb|right|''DOOLITTLE: The Echo River is fed from &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Lake Lethe&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, but you wouldn't recognize a drop of it. Lethe is cold, dark, and so very deep. And still!'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Hard Times Distillery.png|thumb|right|''DOOLITTLE: The Echo River is fed from Lake Lethe, but you wouldn't recognize a drop of it. Lethe is cold, dark, and so very deep. And still!'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While waiting for the ferry, Conway reveals what happened while he was talking with the strangers: he and Shannon had gone via a hidden elevator to an underground [[Hard Times Distillery|whiskey distillery]] staffed by indistinct glowing skeletons, identical in appearance to Conway's new leg. At the distillery, Conway and Shannon meet [[Lem Doolittle|Doolittle]] who mistakes Conway for a new hire as a shipping truck driver. Doolittle gives them a tour, speaking only via a tape recorder around his neck. He hells them about The Formula, a revolutionary equation introduced to them by a [[Weaver Márquez|brilliant mathematician]] that allows them to simply plug daily numbers in and run it through an adding machine instead of compounding interest by hand. Doolittle introduces Conway and Shannon to many of the distillery workers, all of whom who fell into debt and were forced to work to pay it off. He tells Conway he hopes he is a better drive than [[Miguel]] a truck driver who got into an [[Act I|accident]] that evening involving bourbon and glass strewn across the interstate. Inspecting the truck he is expected to drive, Conway recalls stories of his past with [[Lysette]] and his former boss [[Ira]] in small vignettes. In one story, he recounts the accident that killed Lysette's son [[Charlie]]: too hungover to perform a roofing job, Charlie took Conway's place and, in performing the work in the hot sun, slipped and fell to his death.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While waiting for the ferry, Conway reveals what happened while he was talking with the strangers: he and Shannon had gone via a hidden elevator to an underground [[Hard Times Distillery|whiskey distillery]] staffed by indistinct glowing skeletons, identical in appearance to Conway's new leg. At the distillery, Conway and Shannon meet [[Lem Doolittle|Doolittle]] who mistakes Conway for a new hire as a shipping truck driver. Doolittle gives them a tour, speaking only via a tape recorder around his neck. He hells them about The Formula, a revolutionary equation introduced to them by a [[Weaver Márquez|brilliant mathematician]] that allows them to simply plug daily numbers in and run it through an adding machine instead of compounding interest by hand. Doolittle introduces Conway and Shannon to many of the distillery workers, all of whom who fell into debt and were forced to work to pay it off. He tells Conway he hopes he is a better drive than [[Miguel]] a truck driver who got into an [[Act I|accident]] that evening involving bourbon and glass strewn across the interstate. Inspecting the truck he is expected to drive, Conway recalls stories of his past with [[Lysette]] and his former boss [[Ira]] in small vignettes. In one story, he recounts the accident that killed Lysette's son [[Charlie]]: too hungover to perform a roofing job, Charlie took Conway's place and, in performing the work in the hot sun, slipped and fell to his death.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l39&quot; &gt;Line 39:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 39:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On the way back up to logistics, Doolittle tells Shannon and Conway that the black mold from the Hall of the Mountain King is drawn to ethanol fumes which seep through the air into the cavern; not wanting even a drop of whiskey to go to waste, the workers come to scrape it off the machinery. Arriving upstairs, he shows them the adding machine which calculates each day's interest, and tells Conway he is hired, offering him a &amp;quot;shift drink&amp;quot; to mark the occasion. Shannon protests, but Conway, in a daze, cannot resist, and takes a sip of the alcohol (with the game's cursor slowly, automatically moving toward the &amp;quot;Drink&amp;quot; option, outside the player's control). Shannon firmly states that they have a delivery to make and that Conway will not be working for them, but Doolittle notes that the alcohol he just drank was very expensive, not to mention the time he spent giving them the tour. Doolittle says that Conway will start the next day, as the scene blurs and fades to black.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On the way back up to logistics, Doolittle tells Shannon and Conway that the black mold from the Hall of the Mountain King is drawn to ethanol fumes which seep through the air into the cavern; not wanting even a drop of whiskey to go to waste, the workers come to scrape it off the machinery. Arriving upstairs, he shows them the adding machine which calculates each day's interest, and tells Conway he is hired, offering him a &amp;quot;shift drink&amp;quot; to mark the occasion. Shannon protests, but Conway, in a daze, cannot resist, and takes a sip of the alcohol (with the game's cursor slowly, automatically moving toward the &amp;quot;Drink&amp;quot; option, outside the player's control). Shannon firmly states that they have a delivery to make and that Conway will not be working for them, but Doolittle notes that the alcohol he just drank was very expensive, not to mention the time he spent giving them the tour. Doolittle says that Conway will start the next day, as the scene blurs and fades to black.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Mammoth.png|thumb|right|''EZRA: I'm confused. &amp;lt;br /&amp;gt;CONWAY: It's just the way these things go, kid. &amp;lt;br /&amp;gt;JUNEBUG: Huh. Well, that still gives us a few hours to roam, right? Where's that &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[The Mucky Mammoth|&lt;/del&gt;ferry&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;?'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Mammoth.png|thumb|right|''EZRA: I'm confused. &amp;lt;br /&amp;gt;CONWAY: It's just the way these things go, kid.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;!-- &lt;/ins&gt;&amp;lt;br /&amp;gt;JUNEBUG: Huh. Well, that still gives us a few hours to roam, right? Where's that ferry?&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;--&amp;gt;&lt;/ins&gt;'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Back in the Bureau, the group stands silhouetted in front of Conway's truck, mulling over what's to come next. A tugboat arrives. As it pulls into view, a horn blares, revealing a gigantic, trumpeting wooly mammoth.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Back in the Bureau, the group stands silhouetted in front of Conway's truck, mulling over what's to come next. A tugboat arrives. As it pulls into view, a horn blares, revealing a gigantic, trumpeting wooly mammoth.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:END OF ACT III.png|frameless|center]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:END OF ACT III.png|frameless|center]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/onlyinclude&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Locations ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Locations ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key krzwiki:diff::1.12:old-1463:rev-1465 --&gt;
&lt;/table&gt;</summary>
		<author><name>Eli</name></author>
		
	</entry>
	<entry>
		<id>https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=1463&amp;oldid=prev</id>
		<title>Eli: /* Synopsis */</title>
		<link rel="alternate" type="text/html" href="https://consolidatedpower.co/~donald/zero/index.php?title=Act_III&amp;diff=1463&amp;oldid=prev"/>
		<updated>2018-06-28T12:46:19Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Synopsis&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 12:46, 28 June 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;onlyinclude&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;onlyinclude&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Conway's leg.png|thumb|left|''LYSETTE: It wasn't anyone's fault, Conway. That's what we mean when we say it's ... &amp;lt;br /&amp;gt;CONWAY: An accident. ''/'' A tragedy. ''/'' A shame.'''']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Conway's leg.png|thumb|left|''LYSETTE: It wasn't anyone's fault, Conway. That's what we mean when we say it's ... &amp;lt;br /&amp;gt;CONWAY: An accident. ''/'' A tragedy. ''/'' A shame.'''']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The previous morning, [[Conway]] sits at breakfast with [[Lysette]]. The two reminiscence about [[Ira]], Lysette's &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;ex-&lt;/del&gt;husband and Conway's former boss, and her son [[Charlie]] who died in a tragic roofing accident. Lysette tells Conway of a mail-order delivery, the &amp;quot;last act&amp;quot; of [[Lysette's Antiques]] before she leaves that day to move in with her sister [[Cora]] due to her old age. As the ''Neurypnol TM'' wears off, the dream slowly vanishes and Conway awakens in [[Dr. Truman]]'s house.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The previous morning, [[Conway]] sits at breakfast with [[Lysette]]. The two reminiscence about [[Ira]], Lysette's &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;deceased &lt;/ins&gt;husband and Conway's former boss, and her son [[Charlie]] who died in a tragic roofing accident. Lysette tells Conway of a mail-order delivery, the &amp;quot;last act&amp;quot; of [[Lysette's Antiques]] before she leaves that day to move in with her sister [[Cora]] due to her old age &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and poor health&lt;/ins&gt;. As the ''Neurypnol TM'' wears off, the dream slowly vanishes and Conway awakens in [[Dr. Truman]]'s house.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Conway stares at his leg, which has been replaced with a ghostly, skeletal limb with a yellow glow. Conway remarks his leg feels foreign and mentions his dream; Dr. Truman tells him that while he may feel a sensation of &amp;quot;lost time&amp;quot; or &amp;quot;lateness,&amp;quot; the strength of the drug would make dreaming highly unlikely. He suggests Conway look over the bill, and notes that payment will be handled through the [[Consolidated Power Company]] as they have bought out Dr. Truman's employer. [[File:A Tree.png|thumb|right|''JOHNNY: Do you like music?&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Conway stares at his leg, which has been replaced with a ghostly, skeletal limb with a yellow glow. Conway remarks his leg feels foreign and mentions his dream; Dr. Truman tells him that while he may feel a sensation of &amp;quot;lost time&amp;quot; or &amp;quot;lateness,&amp;quot; the strength of the drug would make dreaming highly unlikely. He suggests Conway look over the bill, and notes that payment will be handled through the [[Consolidated Power Company]] as they have bought out Dr. Truman's employer. [[File:A Tree.png|thumb|right|''JOHNNY: Do you like music?&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Conway, [[Shannon]], and [[Ezra]] return to the [[Museum of Dwellings]] and find it closed for the night. Outside, [[Julian]] sits perched atop a streetlight, and Shannon tells Conway of her previous drug problems with [[Weaver]]'s ADD medication. [[Emily, Ben, and Bob]] stand at the entrance, and debate whether to enter after finding the door unlocked; they are unable to hear Conway. Meanwhile, [[Ezra]] runs around the rain-filled parking lot. He encounters [[Flora]], who is watching her paper boat slowly float away across a large puddle. She says she wishes it was still raining, and suggests they watch her boat until it disappears over the horizon, and hopes Ezra will say something romantic to her. When Ezra returns, the three debate where to head next: to Shannon's [[Shannon's workshop|workshop]] to call a long-distance phone number written in the documents they found, to an all-night convenience store to get something to eat, or to [[Equus Oils]] to ask [[Joseph]] directions to the {{ZeroLink}},&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Conway, [[Shannon]], and [[Ezra]] return to the [[Museum of Dwellings]] and find it closed for the night. Outside, [[Julian]] sits perched atop a streetlight, and Shannon tells Conway of her previous drug problems with [[Weaver]]'s ADD medication. [[Emily, Ben, and Bob]] stand at the entrance, and debate whether to enter after finding the door unlocked; they are unable to hear Conway. Meanwhile, [[Ezra]] runs around the rain-filled parking lot. He encounters [[Flora]], who is watching her paper boat slowly float away across a large puddle. She says she wishes it was still raining, and suggests they watch her boat until it disappears over the horizon, and hopes Ezra will say something romantic to her. When Ezra returns, the three debate where to head next: to Shannon's [[Shannon's workshop|workshop]] to call a long-distance phone number written in the documents they found, to an all-night convenience store to get something to eat, or to [[Equus Oils]] to ask [[Joseph]] directions to the {{ZeroLink}},&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When Ezra returns, the group decides to set out to search for [[Lula]]. Soon after beginning the drive to their next destination, Conway's truck breaks down near a large [[tree]]. Shannon attempts to call a towing company to questionable success. While waiting, Ezra talks to Conway's [[Conway's dog|dog]] and plays word games with Conway, while Shannon tries to repair the truck's radio.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When Ezra returns, the group decides to set out to search for [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Lula Chamberlain|&lt;/ins&gt;Lula]]. Soon after beginning the drive to their next destination, Conway's truck breaks down near a large [[tree]]. Shannon attempts to call a towing company to questionable success. While waiting, Ezra talks to Conway's [[Conway's dog|dog]] and plays word games with Conway, while Shannon tries to repair the truck's radio.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:The Lower Depths.png|thumb|left|''JOHNNY: Test. Test. One. One. One. Three. Fifty. Lamentation. La — men — ta — tion.'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:The Lower Depths.png|thumb|left|''JOHNNY: Test. Test. One. One. One. Three. Fifty. Lamentation. La — men — ta — tion.'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Junebug and Johnny]] speed by the tree on their motorcycle. After some discussion, they decide to stop and help in hopes of gaining an audience at their performance to which they are running late. Conway, Shannon, and Ezra agree to accompany the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;two &lt;/del&gt;musicians to a tavern, [[The Lower Depths]] tavern to watch their performance. At the bar, Junebug and Johnny sing the song &amp;quot;[[Too Late to Love You]],&amp;quot; as the roof of the bar seemingly disappears to reveal the full moon overhead. After their performance, the bartender, [[Harry Esperanza]], admits he cannot pay them, left with nothing but an I.O.U. from the [[Hard Times Distillery]] who traded &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;them &lt;/del&gt;for whiskey &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;after &lt;/del&gt;the events in ''[[The Entertainment]]''. Harry suggests they head to the distillery to claim their payment, but notes that they must take the {{ZeroLink}} to get there. After hearing Conway is searching for [[Dogwood Drive]] as well, Harry confirms that heading to the {{Zero}} is their best course of action. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;He &lt;/del&gt;gives them directions: tune the radio until they hear something &amp;quot;familiar but ''strange'',&amp;quot; and immediately turn around when it cuts out. Together, the group sets out in search of the {{Zero}}. Tuning their radio to a station that sounds like horses running, they drive until they see a team of horses standing in the middle of the darkened highway, and immediately appear on the {{Zero}}.[[File:Too Late to Love You.png|thumb|right|''HARRY: Well, that's just the ... dammit, I was trying to tell you two, I can't pay! They cleaned me out. I've got nothing left but a G.D. I.O.U. from the distillery.'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Junebug and Johnny]] speed by the tree on their motorcycle. After some discussion, they decide to stop and help in hopes of gaining an audience at their performance to which they are running late. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The two fix the truck's engine, and &lt;/ins&gt;Conway, Shannon, and Ezra agree to accompany the musicians to a tavern, [[The Lower Depths]] tavern to watch their performance. At the bar, Junebug and Johnny sing the song &amp;quot;[[Too Late to Love You]],&amp;quot; as the roof of the bar seemingly disappears to reveal the full moon overhead. After their performance, the bartender, [[Harry Esperanza]], admits he cannot pay them, left with nothing but an I.O.U. from the [[Hard Times Distillery]] who traded &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;his customers' debt &lt;/ins&gt;for whiskey &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and &lt;/ins&gt;the events in ''[[The Entertainment]]''. Harry suggests they head to the distillery to claim their payment, but notes that they must take the {{ZeroLink}} to get there. After hearing Conway is searching for [[Dogwood Drive]] as well, Harry confirms that heading to the {{Zero}} is their best course of action. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Junebug and Johnny decide to accompany the trio, and Harry &lt;/ins&gt;gives them directions: tune the radio until they hear something &amp;quot;familiar but ''strange'',&amp;quot; and immediately turn around when it cuts out. Together, the group sets out in search of the {{Zero}}. Tuning their radio to a station that sounds like horses running, they drive until they see a team of horses standing in the middle of the darkened highway, and immediately appear on the {{Zero}}.[[File:Too Late to Love You.png|thumb|right|''HARRY: Well, that's just the ... dammit, I was trying to tell you two, I can't pay! They cleaned me out. I've got nothing left but a G.D. I.O.U. from the distillery.'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Driving on the {{Zero}}, the group comes across a large chamber dominated by a rock spire, known as the [[Hall of the Mountain King]]. Johnny waits outside with Conway's dog while the others ascent the summit. Climbing up the path, Conway, Shannon, Ezra, and Junebug find various types of vintage computers in large piles, many in states of disrepair, surrounding a tall, burning fire of discarded electronics. They come across a old man named [[Donald]] who appears fixated on a grand project – his life's work – named [[XANADU]], involving an old computer growing black mold inside, along with a piece of software and artificial intelligence designed as a simulation of his life's missed opportunities from long ago. He invites the group to take a look. Walking around the cavern, the group meets [[Amy]], [[Roberta]], [[Andrew]], Donald's former research assistants who helped work on the project, now in ruins. The group turns on [[XANADU]], but the text is garbled, unable to be read, and the audio distorted. Shannon attempts to use a portable degausser on the system, and they are able to make out the name &amp;quot;Lula&amp;quot; before the program crashes.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Driving on the {{Zero}}, the group comes across a large chamber dominated by a rock spire, known as the [[Hall of the Mountain King]]. Johnny waits outside with Conway's dog while the others ascent the summit. Climbing up the path, Conway, Shannon, Ezra, and Junebug find various types of vintage computers in large piles, many in states of disrepair, surrounding a tall, burning fire of discarded electronics. They come across a old man named [[Donald]] who appears fixated on a grand project – his life's work – named [[XANADU]], involving an old computer growing black mold inside, along with a piece of software and artificial intelligence designed as a simulation of his life's missed opportunities from long ago. He invites the group to take a look. Walking around the cavern, the group meets [[Amy]], [[Roberta]], [[Andrew]], Donald's former research assistants who helped work on the project, now in ruins. The group turns on [[XANADU]], but the text is garbled, unable to be read, and the audio distorted. Shannon attempts to use a portable degausser on the system, and they are able to make out the name &amp;quot;Lula&amp;quot; before the program crashes.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Hall of the Mountain King.png|thumb|left|''DONALD: The chalky bones of a beautiful dream. But you can see what it once was, can't you? Can't you?'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Hall of the Mountain King.png|thumb|left|''DONALD: The chalky bones of a beautiful dream. But you can see what it once was, can't you? Can't you?'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The group questions Donald, who claims a group of people &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;whom &lt;/del&gt;he calls &amp;quot;the Strangers&amp;quot; had sabotaged it, and describes their appearance as dangerous and horrible. Asking him about Lula, Donald reveals the origins of XANADU, telling the story of how it was built by Lula, Joseph, and him. He states that while he does not know where Lula is now, as she and Joseph &amp;quot;left&amp;quot; a long time ago, the simulation of &amp;quot;Lula&amp;quot; inside XANADU may be able to figure out where she went. The group decides to locate the strangers so they may fix XANADU and find Lula. Donald tells them the strangers come through a tunnel of crystal and mud caves, and the group departs to seek their help.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The group questions Donald, who claims a group of people &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;who &lt;/ins&gt;he calls &amp;quot;the Strangers&amp;quot; had sabotaged it, and describes their appearance as dangerous and horrible. Asking him about Lula, Donald reveals the origins of XANADU, telling the story of how it was built by Lula, Joseph, and him. He states that while he does not know where Lula is now, as she and Joseph &amp;quot;left&amp;quot; a long time ago, the simulation of &amp;quot;Lula&amp;quot; inside XANADU may be able to figure out where she went. The group decides to locate the strangers so they may fix XANADU and find Lula. Donald tells them the strangers come through a tunnel of crystal and mud caves, and the group departs to seek their help.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The group comes upon a church in a muddy graveyard. Conway and Shannon go inside, while Junebug waits outside with Ezra, reading headstones and getting to know one another. Junebug reveals that she and Johnny are androids, robots manufactured to clear out the flooded [[Elkhorn Mine]], but after listening to an old type player in the mine, they knew they were destined to be more than faceless, robotic miners, and escaped. [[File:Where the Strangers Come From.png|thumb|right|''JUNEBUG: We slipped out onto the road, just these two featureless shadows, and ever since that night we've been detailing. Coloring in. Specifying. I feel more like myself every day.'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The group comes upon a church in a muddy graveyard. Conway and Shannon go inside, while Junebug waits outside with Ezra, reading headstones and getting to know one another. Junebug reveals that she and Johnny are androids, robots manufactured to clear out the flooded [[Elkhorn Mine]], but after listening to an old type player in the mine, they knew they were destined to be more than faceless, robotic miners, and escaped. [[File:Where the Strangers Come From.png|thumb|right|''JUNEBUG: We slipped out onto the road, just these two featureless shadows, and ever since that night we've been detailing. Coloring in. Specifying. I feel more like myself every day.'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot; &gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Conway and the group continue playing the simulation, choosing to sleep, hire research assistants, or assign assistants to tasks such as debugging, transcription, or speculation. Seemingly unable to exit, they decide to try typing &amp;quot;Wait indefinitely.&amp;quot; XANADU outputs that one research assistant, Weaver, follows the strangers into the tunnels, and neither return. Years pass and mold grows, until one night, ''different'' strangers arrive, and an old friend, Lula, returns. The program exits. Lula is standing in the cave.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Conway and the group continue playing the simulation, choosing to sleep, hire research assistants, or assign assistants to tasks such as debugging, transcription, or speculation. Seemingly unable to exit, they decide to try typing &amp;quot;Wait indefinitely.&amp;quot; XANADU outputs that one research assistant, Weaver, follows the strangers into the tunnels, and neither return. Years pass and mold grows, until one night, ''different'' strangers arrive, and an old friend, Lula, returns. The program exits. Lula is standing in the cave.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lula gives Donald the information needed to find [[Dogwood Drive]] and asks him to perform the calculations needed to resolve the previously-mentioned street name collisions. Donald states he should have the results in an hour, and will forward the information to the Bureau. Lula and the group return to the Bureau to wait. As they descend from the Hall of the Mountain King, [[Emily, Ben, and Bob]] can be seen &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and heard &lt;/del&gt;playing &amp;quot;[[What Would You Give]]&amp;quot; in the foreground. Back at the Bureau, Lula states that after sorting through the results and cross-checking references with their records, they were able to find a corresponding [[Silo of Late Reflections|mail stop]] along the [[Echo River]] route, and notes the night ferry is scheduled to stop by shortly, taking them where they want to go. Lula wishes them safe travels, and muses she's feeling impulsive, and may return to Mexico.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lula gives Donald the information needed to find [[Dogwood Drive]] and asks him to perform the calculations needed to resolve the previously-mentioned street name collisions. Donald states he should have the results in an hour, and will forward the information to the Bureau. Lula and the group return to the Bureau to wait. As they descend from the Hall of the Mountain King, [[Emily, Ben, and Bob]] can be seen playing &amp;quot;[[What Would You Give]]&amp;quot; in the foreground. Back at the Bureau, Lula states that after sorting through the results and cross-checking references with their records, they were able to find a corresponding [[Silo of Late Reflections|mail stop]] along the [[Echo River]] route, and notes the night ferry is scheduled to stop by shortly, taking them where they want to go. Lula wishes them safe travels, and muses she's feeling impulsive, and may return to Mexico.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Hard Times Distillery.png|thumb|right|''DOOLITTLE: The Echo River is fed from [[Lake Lethe]], but you wouldn't recognize a drop of it. Lethe is cold, dark, and so very deep. And still!'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Hard Times Distillery.png|thumb|right|''DOOLITTLE: The Echo River is fed from [[Lake Lethe]], but you wouldn't recognize a drop of it. Lethe is cold, dark, and so very deep. And still!'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While waiting for the ferry, Conway reveals what happened while he was talking with the strangers: he and Shannon had gone via a hidden elevator to an underground [[Hard Times Distillery|whiskey distillery]] staffed by indistinct glowing skeletons, identical in appearance to Conway's new leg. At the distillery, Conway and Shannon meet [[Lem Doolittle|Doolittle]] who mistakes Conway for a new hire as a shipping truck driver. Doolittle gives them a tour, speaking only via a tape recorder around his neck. He hells them about The Formula, a revolutionary equation introduced to them by a [[Weaver|brilliant mathematician]] that allows them to simply plug daily numbers in and run it through an adding machine instead of compounding interest by hand. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Doolitrle &lt;/del&gt;introduces Conway and Shannon to many of the distillery workers, all of whom who fell into debt and were forced to work to pay it off. He tells Conway he hopes he is a better drive than [[Miguel]] a truck driver who got into an accident that evening involving bourbon and glass strewn across the interstate. Inspecting the truck he is expected to drive, Conway recalls stories of his past with [[Lysette]] and his former boss [[Ira]] in small vignettes. In one story, he recounts the accident that killed Lysette's son [[Charlie]]: too hungover to perform a roofing job, Charlie took Conway's place and, in performing the work in the hot sun, slipped and fell to his death.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;While waiting for the ferry, Conway reveals what happened while he was talking with the strangers: he and Shannon had gone via a hidden elevator to an underground [[Hard Times Distillery|whiskey distillery]] staffed by indistinct glowing skeletons, identical in appearance to Conway's new leg. At the distillery, Conway and Shannon meet [[Lem Doolittle|Doolittle]] who mistakes Conway for a new hire as a shipping truck driver. Doolittle gives them a tour, speaking only via a tape recorder around his neck. He hells them about The Formula, a revolutionary equation introduced to them by a [[Weaver &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Márquez&lt;/ins&gt;|brilliant mathematician]] that allows them to simply plug daily numbers in and run it through an adding machine instead of compounding interest by hand. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Doolittle &lt;/ins&gt;introduces Conway and Shannon to many of the distillery workers, all of whom who fell into debt and were forced to work to pay it off. He tells Conway he hopes he is a better drive than [[Miguel]] a truck driver who got into an &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Act I|&lt;/ins&gt;accident&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;that evening involving bourbon and glass strewn across the interstate. Inspecting the truck he is expected to drive, Conway recalls stories of his past with [[Lysette]] and his former boss [[Ira]] in small vignettes. In one story, he recounts the accident that killed Lysette's son [[Charlie]]: too hungover to perform a roofing job, Charlie took Conway's place and, in performing the work in the hot sun, slipped and fell to his death.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Adding machine.png|thumb|left|''He removed his hands from the steering wheel for a moment and felt the car drift into a decision. Years later, he'd think of this as the moment he himself started drifting.'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Adding machine.png|thumb|left|''He removed his hands from the steering wheel for a moment and felt the car drift into a decision. Years later, he'd think of this as the moment he himself started drifting.'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On the way back up to logistics, Doolittle tells Shannon and Conway that the black mold from the Hall of the Mountain King is drawn to ethanol fumes which seep through the air into the cavern; not wanting even a drop of whiskey to go to waste, the workers come to scrape it off the machinery. Arriving upstairs, he shows them the adding machine which calculates each day's interest, and tells Conway he is hired, offering him a &amp;quot;shift drink&amp;quot; to mark the occasion. Shannon protests, but Conway, in a daze, cannot resist, and takes a sip of the alcohol (with the game's cursor slowly, automatically moving toward the &amp;quot;Drink&amp;quot; option, outside the player's control). Shannon firmly states that they have a delivery to make and that Conway will not be working for them, but Doolittle notes that the alcohol he just drank was very expensive, not to mention the time he spent giving them the tour. Doolittle says that Conway will start &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;tomorrow&lt;/del&gt;, as the scene blurs and fades to black.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;On the way back up to logistics, Doolittle tells Shannon and Conway that the black mold from the Hall of the Mountain King is drawn to ethanol fumes which seep through the air into the cavern; not wanting even a drop of whiskey to go to waste, the workers come to scrape it off the machinery. Arriving upstairs, he shows them the adding machine which calculates each day's interest, and tells Conway he is hired, offering him a &amp;quot;shift drink&amp;quot; to mark the occasion. Shannon protests, but Conway, in a daze, cannot resist, and takes a sip of the alcohol (with the game's cursor slowly, automatically moving toward the &amp;quot;Drink&amp;quot; option, outside the player's control). Shannon firmly states that they have a delivery to make and that Conway will not be working for them, but Doolittle notes that the alcohol he just drank was very expensive, not to mention the time he spent giving them the tour. Doolittle says that Conway will start &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the next day&lt;/ins&gt;, as the scene blurs and fades to black.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Mammoth.png|thumb|right|''EZRA: I'm confused. &amp;lt;br /&amp;gt;CONWAY: It's just the way these things go, kid. &amp;lt;br /&amp;gt;JUNEBUG: Huh. Well, that still gives us a few hours to roam, right? Where's that [[The Mucky Mammoth|ferry]]?'']]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Mammoth.png|thumb|right|''EZRA: I'm confused. &amp;lt;br /&amp;gt;CONWAY: It's just the way these things go, kid. &amp;lt;br /&amp;gt;JUNEBUG: Huh. Well, that still gives us a few hours to roam, right? Where's that [[The Mucky Mammoth|ferry]]?'']]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Back in the Bureau, the group stands in front of Conway's truck, mulling over what's to come next. A tugboat arrives. As it pulls into view, a horn blares, revealing a gigantic, trumpeting wooly mammoth.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Back in the Bureau, the group stands &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;silhouetted &lt;/ins&gt;in front of Conway's truck, mulling over what's to come next. A tugboat arrives. As it pulls into view, a horn blares, revealing a gigantic, trumpeting wooly mammoth.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Eli</name></author>
		
	</entry>
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