Open main menu

Editing Act II

Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.

The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then save the changes below to finish undoing the edit.

Latest revision Your text
Line 1: Line 1:
{{Acts}}
+
Act II of {{KRZ}} was released on May 31, 2013. It introduces [[Ezra]] to the main cast of characters.
[[File:KrzAct2.jpg|right|200px]]
 
'''Act II''' of {{KRZ}} was released on May 31, 2013. It introduces [[Ezra]] to the main cast of characters.
 
 
 
__TOC__
 
  
 
== Synopsis ==
 
== Synopsis ==
 
+
<onlyinclude>
[[File:Bureau front.png|thumb|left|''SHANNON: This is weird, but ... do you think we're ''inside'' or ''outside'' right now? <br />CONWAY: Inside. ''/'' Outside. ''/'' Both.'']]
+
[[File:Bureau.png|thumb|left|''SHANNON: This is weird, but ... do you think we're ''inside'' or ''outside'' right now? <br />CONWAY: Inside. ''&nbsp;/&nbsp;'' Outside. ''&nbsp;/&nbsp;'' Both.'']]
 
Act II opens with a prelude in which [[Lula Chamberlain]], an installation artist whose work is featured in ''[[Limits & Demonstrations]]'', receives a rejection letter from the [[Gaston Trust for Imagined Architecture]]. After reading the note, she sorts through a series of proposals for reclaiming spaces for purposes alternate to their current function, such as a proposal to reclaim a distillery as a graveyard. If the player met [[Carrington]] in [[Act I]], he will interrupt Lula, and ask her about his proposal for a venue for his performance. Otherwise, her coworker [[Rick]] talks to her, asking about the proposals and an upcoming office party.
 
Act II opens with a prelude in which [[Lula Chamberlain]], an installation artist whose work is featured in ''[[Limits & Demonstrations]]'', receives a rejection letter from the [[Gaston Trust for Imagined Architecture]]. After reading the note, she sorts through a series of proposals for reclaiming spaces for purposes alternate to their current function, such as a proposal to reclaim a distillery as a graveyard. If the player met [[Carrington]] in [[Act I]], he will interrupt Lula, and ask her about his proposal for a venue for his performance. Otherwise, her coworker [[Rick]] talks to her, asking about the proposals and an upcoming office party.
  
Thoroughly lost on the {{ZeroLink}}, [[Conway]] and [[Shannon]] stop at six-story building known as the [[Bureau of Reclaimed Spaces]]. They speak to the receptionist, [[Mary Ann]] about finding [[5 Dogwood Drive]]. Unable to assign them to any of the proper clerks for the process, she instead sets them up to the fifth floor to meet with [[Lula]]. On the way, they encounter a variety of hermit crabs, a floor full of bears, and an [[Will|organist]]. [[File:Zero.png|thumb|right|''MARY ANN: Just get back on the {{Zero}} and drive until you hit the crystal. Then turn around. It'll make sense once you get on the road.'']]
+
Thoroughly lost on the {{ZeroLink}}, [[Conway]] and [[Shannon]] stop at six-story building known as the [[Bureau of Reclaimed Spaces]]. They speak to the receptionist, [[Mary Ann]] about finding [[5 Dogwood Drive]]. Unable to assign them to any of the proper clerks for the process, she instead sets them up to the fifth floor to meet with [[Lula]]. On the way, they encounter a variety of hermit crabs, a floor full of bears, and an organist. [[File:Zero.png|thumb|right|''MARY ANN: Just get back on the {{Zero}} and drive until you hit the crystal. Then turn around. It'll make sense once you get on the road.'']]
  
After failing to navigate the bureaucratic mess of junior clerks that [[Rick]] presents them with, the two finally meet with Lula. She tells them that she used to live on a Dogwood Drive, but that it cannot be the same one: due to computational "name collisions," the many streets named Dogwood Drive have all been renamed, such as to Pale Dogwood Drive, Large-leafed Dogwood Drive, or Himalayan Flowering Dogwood Drive. She ponders if her former lover [[Joseph]] sent them to her to get her attention, or if her former intern [[Weaver]] overestimated her capabilities. However, believing that one may still just be named Dogwood Drive, she suggests they search the log of road name changes on the fourth floor. After the two come up empty-handed, Lula concludes the records have not yet been transferred to the new building from the former site of the Bureau, the Saint Thomas Church. She also suggests Conway seek out [[Dr. Truman]] to help with his leg, giving them his address in a small neighborhood on the east edge of Bowling Green.
+
After failing to navigate the bureaucratic mess of junior clerks that [[Rick]] presents them with, the two finally meet with Lula. She tells them that she used to live on a Dogwood Drive, but that it cannot be the same one: due to computational "name collisions," the many streets named Dogwood Drive have all been renamed, such as to Pale Dogwood Drive, Large-leafed Dogwood Drive, or Himalayan Flowering Dogwood Drive. She ponders if her former lover [[Joseph]] sent them to her to get her attention, or if her former intern [[Weaver]] overestimated her capabilities. However, believing that one may still just be named Dogwood Drive, she suggests they search the log of road name changes on the fourth floor. After the two come up empty-handed, Lula concludes the records have not yet been transferred to the new building from the former site of the Bureau, the [[Saint Thomas Church]]. She also suggests Conway seek out [[Dr. Truman]] to help with his leg, giving them his address in a small neighborhood on the east edge of Bowling Green.
  
 
[[File:Random Access Self Storage.png|thumb|left|''BRANDON: "Work is play for mortal stakes." That's the title of the evening's homily, in fact.'']]
 
[[File:Random Access Self Storage.png|thumb|left|''BRANDON: "Work is play for mortal stakes." That's the title of the evening's homily, in fact.'']]
Mary Ann tells Conway and Shannon that the church is actually inside a [[Random Access Self Storage|self storage facility]], and describes how to navigate there by following a series of ritualistic directions on the {{Zero}}. At the storage lot, the two talk to the janitor, [[Brandon]]. He says that he must start the night mass, but tells Shannon the records are in unit C315 and gives her his keys. Shannon leaves to look for the records while Conway rests his leg. Brandon presses play on an old tape player, and the two talk and listen to a prerecorded sermon on the virtue of hard work. Shannon returns with the file they were looking for. As they leave the building, Conway collapses from his injury, hallucinating about his accident at [[Elkhorn Mine]]. When he comes to, Shannon decides their first priority should be to find Dr. Truman.
+
Mary Ann tells Conway and Shannon that the church is actually inside a self-storage facility, and gives them directions on how to get to it via the {{Zero}}. At the storage lot, the two talk to the janitor, [[Brandon]]. He says that he must start the night mass, but tells Shannon the records are in unit C315 and gives her his keys. Shannon leaves to look for the records while Conway rests his leg. Brandon presses play on an old tape player, and the two talk and listen to a prerecorded sermon on the virtue of hard work. Shannon returns with the file they were looking for. As they leave the building, Conway collapses from his injury, hallucinating about his accident at [[Elkhorn Mine]]. When he comes to, Shannon decides their first priority should be to find Dr. Truman.
  
They return to the Bureau only to find that Lula has disappeared in a hurry; however, before she left, she processed all the files needed to transfer Conway and Shannon back to the surface roads. They also encounter Carrington at the Bureau, and Conway is able to suggest either Elkhorn Mine, the self storage facility, or [[Equus Oils]] as the venue for where Carrington can host his performance. The two head out of the {{Zero}}, above ground, in search of Dr. Truman. [[File:Museum elevator.png|thumb|right|''FLORA: I think you need to get some real horses in the stable. <br />MUSEUM STAFF: Do you like horses? <br />FLORA: Not anymore. Now I like jungle cats. You should get some real panthers in the stable.'']]
+
They return to the Bureau only to find that Lula has disappeared in a hurry; however, before she left, she processed all the files needed to transfer Conway and Shannon back to the surface roads. They also encounter Carrington at the Bureau, and Conway is able to suggest either Elkhorn Mine, the [[Random Access Self Storage|self-storage facility]], or [[Equus Oils]] as the venue for where Carrington can host his performance. The two head out of the {{Zero}}, above ground, in search of Dr. Truman. [[File:Museum elevator.png|thumb|right|''FLORA: I think you need to get some real horses in the stable. <br />MUSEUM STAFF: Do you like horses? <br />FLORA: Not anymore. Now I like jungle cats. You should get some real panthers in the stable.'']]
  
Following the directions given by Lula, they arrive at where his house should be, but find that all houses in the neighborhood have been torn down and replaced with the under-construction [[Museum of Dwellings]]. Here, they encounter [[:Category:Museum of Dwellings|residents]] of the museum's many residences and, while taking cover from the fierce storm outside, explore the displayed homes as narrated by the museum staff watching security footage in the future. The residents discuss the group's presence: [[Fred]] believed they were from the [[Consolidated Power Company|power company]] and stayed indoors, [[Hudson]] recounted a conversation with Shannon about his crackling radio, and [[Sadie]] describes how she talked with them on the porch. Exploring one house, they meet [[Flora]], a young girl who tells them that Dr. Truman has since moved away. Flora also recounts Conway's story of exploring the cabin, in which he said he found an entrance into a hidden basement containing a pit with glowing moss, a garden, and a river. Conway states he lived in the cabin with one of his parents when he was young.
+
Following the directions given by Lula, they arrive at where his house should be, but find that all houses in the neighborhood have been torn down and replaced with the under-construction [[Museum of Dwellings]]. Here, they encounter residents of the museum's many dwellings and explore the displayed homes, as narrated by the museum staff watching security footage in the future. Exploring one house, they meet [[Flora]], a young girl who tells them that Dr. Truman has since moved away. Flora also recounts Conway's story of exploring the cabin, in which he said he found an entrance into a hidden basement containing a pit with glowing moss, a garden, and a river. Conway states he lived in the cabin with one of his parents when he was young.
  
[[File:Museum roof.png|thumb|left|''EZRA: Julian's my brother. He's a lot bigger and stronger, and he has more feathers than me, but he's still my brother.'']] After exploring a variety of other dwellings, including houses, trailers, birdcages, horse stables, and tents, and talking with their residents, Conway and Shannon take a construction lift to the roof where they meet [[Ezra]]. The young boy explains that he and his brother [[Julian]] fly many of the museum's homes, including Dr. Truman's, out to the [[forest]] at night because the forest is easier to sleep in, but that Dr. Truman asked not to be brought back. Ezra agrees to bring Shannon, Conway, and his dog to the doctor and calls Julian, a giant eagle who swoops down, snatches them off the roof, and flies them to the forest. In the air, the group can observe many situations and locations below, such as an all-night diner, the [[Márquez Farmhouse]], Equus Oils, a wandering guitar player, and the [[bait shop]]. [[File:Forest.png|thumb|right|''EZRA: You have a way of falling behind, don't you? Me, I'm always too far ahead. Maybe I should slow down a bit, like you.'']]
+
[[File:Museum roof.png|thumb|left|''EZRA: Julian's my brother. He's a lot bigger and stronger, and he has more feathers than me, but he's still my brother.'']] After exploring a variety of other dwellings, including houses, trailers, birdcages, horse stables, and tents, and talking with their [[:Category:Museum of Dwellings|residents]], Conway and Shannon take a construction lift to the roof where they meet a [[Ezra]]. The young boy explains that he and his brother [[Julian]] fly many of the museum's homes, including Dr. Truman's, out to the [[forest]] at night because the forest is easier to sleep in, but that Dr. Truman asked not to be brought back. Ezra agrees to bring Shannon, Conway, and his dog to the doctor and calls Julian, a giant eagle who snatches them off the roof and flies them to the forest. In the air, the group can observe many situations and locations below, such as an all-night diner, the [[Márquez Farmhouse]], [[Equus Oils]], a wandering guitar player, and the [[bait shop]]. [[File:Forest.png|thumb|right|''EZRA: You have a way of falling behind, don't you? Me, I'm always too far ahead. Maybe I should slow down a bit, like you.'']]
  
 
[[File:Neurypnol TM.png|thumb|right|''EZRA: They're singing about their home because they're lost right now. It's a scary song. <br />SHANNON: It's scary, but they can still sing about it.'']]
 
[[File:Neurypnol TM.png|thumb|right|''EZRA: They're singing about their home because they're lost right now. It's a scary song. <br />SHANNON: It's scary, but they can still sing about it.'']]
The group lands in the forest. As, Conway, limping and assisted by Shannon, and the rest of the group walk through the illusory trees, stopping intermittently, [[Emily, Ben, and Bob]] can be seen playing "[[Long Journey Home]]" in the foreground. They arrive at Dr. Truman's house and while Ezra and Shannon watch TV, the doctor inspects Conway's leg and gives him a dose of an anesthetic called ''Neurypnol TM''. Conway begins to succumb to the drug and falls into into a nebulous, drug-induced sleep, as his vision grows black and the walls of the house pull away to reveal the forest beyond.
+
The group lands in the forest. As, Conway, limping and assisted by Shannon, and the rest of the group walk through the illusory trees, stopping intermittently, [[Emily, Ben, and Bob]] can be seen and heard playing "[[Long Journey Home]]" in the foreground. They arrive at Dr. Truman's house and while Ezra and Shannon watch TV, the doctor inspects Conway's leg and gives him a dose of ''Neurypnol TM''. Conway begins to succumb to the drug and falls into into a nebulous, drug-induced sleep, as his vision grows black and the walls of the house to pull away to reveal the forest beyond.
  
 
<br>
 
<br>
 
[[File:END OF ACT II.png|frameless|center]]
 
[[File:END OF ACT II.png|frameless|center]]
 +
</onlyinclude>
  
 
== Locations ==
 
== Locations ==
Line 43: Line 40:
  
 
== Optional locations ==
 
== Optional locations ==
 +
{{expand}}
  
 
=== In the overworld (driving) ===
 
=== In the overworld (driving) ===
  
 
* [[Equus Oils]]
 
* [[Equus Oils]]
* [[Márquez Farmhouse]]
 
* [[Elkhorn Mine]]
 
 
* [[Bait shop]]
 
* [[Bait shop]]
 
* [[Scenic view]] and the resulting [[crater]]
 
* [[Scenic view]] and the resulting [[crater]]
* Dirt road
 
* Radio towers
 
* [[Van]]
 
* Traffic jam
 
* Tavern ([[The Lower Depths]])
 
  
 
=== On the {{Zero}} ===
 
=== On the {{Zero}} ===
  
 
* [[Deja Vu]]
 
* [[Deja Vu]]
* The [[campfire]]
 
 
* [[Bureau of Secret Tourism]] locations
 
* [[Bureau of Secret Tourism]] locations
 
** [[River Tunnels]]
 
** [[River Tunnels]]
Line 71: Line 61:
  
 
* [[Bait shop]]
 
* [[Bait shop]]
* Equus Oils
+
* Burning house
* House (Burning house)
 
* Chapel
 
 
* Church
 
* Church
* Diner
+
* [[Elkhorn Valley]]
* Elkhorn Mine
 
* Apartments (Family moving out)
 
* Figure in a blue suit
 
 
* Guitar player
 
* Guitar player
* Graveyard ([[Hard Times Distillery]])
+
* [[Hard Times Distillery]]
* Márquez Farmhouse
+
* [[Márquez Farmhouse]]
* Museum of Dwellings
+
* [[Museum of Dwellings]]
* [[Museum]]
 
* Overgrown subdivision
 
* Small light
 
* Swamp
 
  
  
[[Category:Act II|*]]
+
[[Category:Act II]]

Please note that all contributions to Highway 0 are considered to be released under the Creative Commons Attribution-ShareAlike (see HWY0:Copyrights for details). If you do not want your writing to be edited mercilessly and redistributed at will, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource. Do not submit copyrighted work without permission!

Cancel Editing help (opens in new window)